I can’t believe that we’re now into December of 2018. It’s been a lovely year for me, thanks to all the clubs, festivals, and organisers who have booked me, and all the people who’ve come to see me perform over the year. Thank you all.
I’m now taking a break from touring over winter, and will be back on the road in Spring 2019. You can click HEREto find out where I’m performing, I’ll keep it updated as I get the confirmations. Big on my radar is “The Road to Peterloo” with Brian Peters and Laura Smythe – click HEREfor more information – which has already brought several bookings in concerts and festivals in the bicentennial year.
If you’re around in the West Yorkshire region over the next month, I’ll be playing my part in Ryburn 3 Step’s seasonal events:
2019 is the bicentennial year of the ‘Peterloo Massacre’ in Manchester, and together with Brian Peters and Laura Smyth I’m working on a project entitled ‘The Road to Peterloo’ to bring the importance of this event into the public eye.
‘The Road to Peterloo’ tells the story of one of the most notorious incidents in British labour history – the ‘Peterloo Massacre’ in Manchester in 1819 – through some of the many broadside ballads that were printed around the time of the event.
Three singers and musicians from North West England – Pete Coe, Brian Peters and Laura Smyth – trace the story from its roots in the poverty and hunger suffered by handloom weavers in the early 19th century. Their songs describe the terrible events of the day itself, when mounted soldiers charged a peaceful crowd demanding votes for all, and killed or injured many men, women and children by their indiscriminate use of sabres, and tell of later political developments inspired by the carnage.
Laura, Brian and Pete present a trove of freshly-discovered material, with ballads sourced from Alison Morgan’s new book on the broadsides of the day, and from their own research, with many set to original tunes. Between them they offer three fine voices and instrumental skills on concertina, melodeon, bouzouki, guitar, cello and banjo, and add to the mix period dance music from the Manchester area. ‘The Road to Peterloo’ will be touring the UK during the bicentennial year 2019.
I still have a few original pristine unplayed vinyl LP’s – the classic RED SHIFT album “Back In The Red” for sale at £20 each including P&P (UK and EU, I will have to check rates for other countries).
This classic album, featuring Coe, Le Faux, Adams & Shaw, was released in 1987 on the Backshift Music record label. The tracks include:
Valencia Harbour, Up the Walls of the World, Around the World for Sport; The Waves of Tory; No Cause, No Cause for Alarm; Sold Down the River Again; The Lancashire Emigrant’s Farewell; The Last Dance, The Lemonville, Stormy Weather, Tich’s Reel.
The album has been ‘out of print’ for 20 years so this is a special opportunity for you to buy one. They’ve mostly gone so DON’T DELAY if you want one!
You can buy a copy from my DISCOGRAPHY page, or by post – cheques please to ‘Backshift Music’, 103 Oldham Road, RIPPONDEN, West Yorkshire, HX6 4EB, UK.
On Wednesday 16 November Pete and Sue Coe received their Gold Badge awards from the English Folk Dance and Song Society (EFDSS) presented by the Chair of the EFDSS Board, Alistair Anderson.
Over 100 friends attended the event, which included songs and music from many of the performers that Pete and Sue have collaborated with, taught, or encouraged over careers of more than half a century of Folk song, music, and dance. Four other Gold Badge holders were among the friends attending: Bill Leader, Alistair Anderson, Derek Schofield, and Vic Gammon.
Pete’s contributions include traditional song research, song writing in traditional style, the founding of several seminal bands, plus solo and duo performances, dance calling, recording, field research, local folk activism in Ryburn Three Step and teaching at various levels. He has worked extensively in schools throughout the country as a visiting musician both on his own account and for the EFDSS on the Take 6 Project. He was the founder member and visionary force behind three particularly ground breaking groups – The New Victory Band, Bandoggs and Red Shift – all of which brought something new to the folk scene.
As well as developing a wide range of traditional songs for performance, Pete has had an illustrious songwriting career with many songs covered by other artists. His collecting of a single verse of Marching Down through Rochester with its Waltzing Matilda tune, and its subsequent expansion to a full song has made him the focus of attention by various researchers in search of the roots of the famous Australian song. Most recently Mark Radcliffe featured his rather personal Rolling Down The Ryburn on his BBC Radio 2 programme, sung by Greg Russell and Ciaran Algar.
Pete has contributed a number of field recordings including Caleb Walker (musician for Manley Morris), travellers Charlotte & Betsy Renals and Sophie Legge, and Willy Taylor. He has carried out extensive research into the work of Frank Kidson, which resulted in a touring show and a CD under the title of Five Finger Frank.
Sue successfully gained funding and promoted Ryburn Three Step in the early days as well as teaching Appalachian step dance and the Ryburn Longsword dance team, which she formed 22 years ago. As well as Appalachian dance and Longsword, Ryburn Three Step also organises a range of regular activities for local people including clog step dance classes, a singing group, an offshoot rapper side, a mummers side, monthly folk club and dances, occasional workshop days plus weekly music sessions in the local pub.
Sue led and developed Ryburn Longsword for many years, recruiting youngsters from local schools and including their mothers in the dancing, resulting in a junior and a senior team. Along with team members she developed new dances with a local flavour and has presented the team regularly at dance festivals. In addition to her ongoing Longsword and Step dance activities she now runs weekly workshops around West Yorkshire for disabled and wheelchair bound youngsters, developing dances suitable for their abilities and providing for them a very necessary inclusion.