We’re under lockdown in Old England, my bookings have been cancelled or postponed, so I’m enjoying time at home in Ripponden.I feel that I’m furloughed but along with many, many others, I have to wait and see what HM Government thinks!
Last year I decided that the time had come to get treatment for my hands. I’ve been struggling with Dupuytren’s Contracture for a while and although I’ve had treatment in the form of an injection for one hand, I’m waiting for the NHS to operate on the other and that’s all been postponed so I’ll be out of action for the foreseeable future. Hopefully, I’ll be operated, recovered, and able to get the fingers squeezing and strumming again over the next few months.
I’ve finished touring and performing until Spring or early summer 2020, and I’m enjoying time at home in Ripponden and participating in the local events. Have a look at the Ryburn 3 Step website for information about what’s on.
Last year I decided that the time had come to get treatment for my hands. I’ve been struggling with Dupuytren’s Contracture for a while and although I’ve had treatment in the form of an injection for one hand, I’m waiting for the NHS to operate on the other so I’ll be out of action for the near future. I didn’t want to travel in January and February anyway. Hopefully, I’ll have enough time to recover & get the fingers squeezing and strumming again over the next few months.
Another year done and, looking back, 2019 was a really good and enjoyable year for me.
I didn’t do many solo concerts in 2019 as I wanted to focus on ‘The Road To Peterloo’ with Brian Peters & Laura Smyth, which involved a lot of research for the broadsides & ballads of the time, arranging and learning quite difficult material. Our aim was to feature the words of the people who were there, not new songs written two hundred years too late!
We recorded our CD with Brian Bedford (Artisan) at his Park Head Studio in Birds Edge, Laura produced some excellent artwork & the CD was released on June 7th just in time for our first concerts at Glossop Labour Club & Mellor Brook Community Centre.
Laura claimed maternity leave so Brian and I worked with Dr Alison Morgan (her book contains several songs in our repertoire) at libraries in Bolton and Salford, and we did a reduced Peterloo concert and solo spots at the ‘Music On The Marr’ Festival.
We also did a very successful ballad weekend at Halsway Manor with Emily Portman. Laura returned for our concert at Ashton Library, which included far too many of her relatives plus a bonus Keith Stafford, a descendant of John Stafford who was at Peterloo and the author of one of our featured songs! We had a feature spot on Front Row (Radio 4) and were filmed by BBC North West at the new Peterloo Memorial.
We sold out our concerts at Manchester Central Library, folk festivals at Sidmouth, Broadstairs, Whitby, and Hartlepool with full houses at Bromley Cross, Sheffield, Cecil Sharp House, Abbotts Langley, Huddersfield University, and finally the Square Chapel in Halifax, the last one of the year. Thanks to all those organisers and audiences who shared an interest and a commitment to social and political history and how it’s reflected in the folk ballads and broadsides of the time.
In the meantime sales of our CD have been excellent, a relief as I paid for it! In addition to good sales at our concerts we’ve had many orders via our website from the USA, a good few from Italy & Germany, and surprisingly, 14 from Japan.
So, ‘The Road To Peterloo’ concerts are done for this bicentenary year but we’ve had offers from venues in Scotland & the south of England for next year, so if you haven’t seen it yet, there’s still a chance in 2020.
Thanks to all all my friends, supporters, audience members, club and festival organisers, and collaborators – especially Laura and Brian in 2019. I hope to see you in 2020.
2019 is the bicentennial year of the ‘Peterloo Massacre’ in Manchester, and together with Brian Peters and Laura Smyth, we have been performing our show, ‘The Road to Peterloo’, since June.
On 16 August 1819 it’s estimated that over 60,000 people from Manchester and the surrounding towns and villages gathered on St Peter’s Field to listen to Henry ‘Orator’ Hunt campaigning for universal male suffrage and parliamentary reform. At that time Manchester had no MP’s. It was a legal and peaceful demonstration with families wearing their Sunday best. What followed is documented in Mike Leigh’s film ‘Peterloo’, released last year, when the magistrates, in a panic, gave orders to The Manchester Yeomanry to arrest Hunt and disperse the crowd. They were a drunken, ill-disciplined, part-time cavalry who attacked with sabres killing 18 and wounding at least 600, including many women who were specifically targeted.
It has taken Manchester 200 years to provide a substantial memorial, designed by Jeremy Deller, to be located on the site. Engraved on the memorial are the names of the victims and above these names are the towns where the wounded, and others came from: Stockport, Oldham, Rochdale etc. as you’d expect, but one place name is unexpected… RIPPONDEN. Records state that William Slater, from Ripponden, had his ‘shoulder much bruised by the constables.’ It seems he had a lucky escape. So, who was William Slater and can we find out more about him? Does he have descendants still living in the area?
‘The Road to Peterloo’ tells the story of one of the most notorious incidents in British labour history – the ‘Peterloo Massacre’ in Manchester in 1819 – through some of the many broadside ballads that were printed around the time of the event. Laura, Brian and Pete present a trove of freshly-discovered material, with ballads sourced from Alison Morgan’s new book on the broadsides of the day, and from their own research, with many set to original tunes. Between them they offer three fine voices and instrumental skills on concertina, melodeon, bouzouki, guitar, cello and banjo, and add to the mix period dance music from the Manchester area.
REVIEWS – “The Road to Peterloo”:
“These songs may be 200 years old but they still have the power to shock, amuse and inspire, especially when handled as empathetically and powerfully as by this trio of musicians.” Tykes News
“An ambitious and stirring undertaking that shines an uncompromising light on a still under-represented part of the people’s history.” Songlines
“The three participants make a fine team, they are already individually renowned for their keen research and musical expertise” Living Tradition Read the review of the CD by Dave Kidman in the Living Tradition magazine HERE
“It is brilliant!!!” Broadstairs Folk Week
“Thank you so much – it was a blooming brilliant event!” Manchester Central Library
” A burning, urgent and necessary album.” Folk London
To purchase a copy of the album as CD (Backshift Music BASHCD 65) or download, please visit our Bandcamp page CD’s (which come with extensive liner notes) are £10 + £2 postage (for within UK), £4 (to Europe), £5 (to rest of world). Or, if you would like to order and pay by cheque, then please make cheques payable to Backshift Music, and send along with your name and postal address to: Backshift Music, 103 Oldham Road, RIPPONDEN West Yorkshire HX6 4EB UK
World Listening Post– a New York-based music site – will be reviewing “The Road to Peterloo” by Coe, Peters & Smyth early in the New Year. Watch this space for more information. World Listening Post covers music from around the globe. Since 2015 the site has published review of albums from 85 countries and been viewed by readers in 160 nations. Below are links to reviews to a few reviews from the site.
On Wednesday 16 November Pete and Sue Coe received their Gold Badge awards from the English Folk Dance and Song Society (EFDSS) presented by the Chair of the EFDSS Board, Alistair Anderson.
Over 100 friends attended the event, which included songs and music from many of the performers that Pete and Sue have collaborated with, taught, or encouraged over careers of more than half a century of Folk song, music, and dance. Four other Gold Badge holders were among the friends attending: Bill Leader, Alistair Anderson, Derek Schofield, and Vic Gammon.
Pete’s contributions include traditional song research, song writing in traditional style, the founding of several seminal bands, plus solo and duo performances, dance calling, recording, field research, local folk activism in Ryburn Three Step and teaching at various levels. He has worked extensively in schools throughout the country as a visiting musician both on his own account and for the EFDSS on the Take 6 Project. He was the founder member and visionary force behind three particularly ground breaking groups – The New Victory Band, Bandoggs and Red Shift – all of which brought something new to the folk scene.
As well as developing a wide range of traditional songs for performance, Pete has had an illustrious songwriting career with many songs covered by other artists. His collecting of a single verse of Marching Down through Rochester with its Waltzing Matilda tune, and its subsequent expansion to a full song has made him the focus of attention by various researchers in search of the roots of the famous Australian song. Most recently Mark Radcliffe featured his rather personal Rolling Down The Ryburn on his BBC Radio 2 programme, sung by Greg Russell and Ciaran Algar.
Pete has contributed a number of field recordings including Caleb Walker (musician for Manley Morris), travellers Charlotte & Betsy Renals and Sophie Legge, and Willy Taylor. He has carried out extensive research into the work of Frank Kidson, which resulted in a touring show and a CD under the title of Five Finger Frank.
Sue successfully gained funding and promoted Ryburn Three Step in the early days as well as teaching Appalachian step dance and the Ryburn Longsword dance team, which she formed 22 years ago. As well as Appalachian dance and Longsword, Ryburn Three Step also organises a range of regular activities for local people including clog step dance classes, a singing group, an offshoot rapper side, a mummers side, monthly folk club and dances, occasional workshop days plus weekly music sessions in the local pub.
Sue led and developed Ryburn Longsword for many years, recruiting youngsters from local schools and including their mothers in the dancing, resulting in a junior and a senior team. Along with team members she developed new dances with a local flavour and has presented the team regularly at dance festivals. In addition to her ongoing Longsword and Step dance activities she now runs weekly workshops around West Yorkshire for disabled and wheelchair bound youngsters, developing dances suitable for their abilities and providing for them a very necessary inclusion.